rkstudio
Wednesday, January 18, 2006

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dianna ponting: canadian pastellist An email arrived on the Ludlow Art Society’s inbox that aroused my interest. I designed and now manage t...
Friday, January 13, 2006

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The digital challenge I used to be a bit sniffy about digital imaging but the preparation of movies and animations in the lead up to Christm...
Sunday, January 01, 2006

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Each year as christmas approaches I dabble with computer animations. The object being to send cheery Christmas and New Year email greetings ...
1 comment:
Sunday, December 18, 2005

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A recent visit to Tate St. Ives revealed yet another video installation – this time by Tacita Dean. There is a lovely view across the beach...
Wednesday, December 07, 2005

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Making copies of other artists’ work is one of the best ways of gaining new insights into working methods. Whenever I come across a painting...
Monday, December 05, 2005

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This detail of Thomas Richardson's watercolour was set as a copy exercise to my workshop participants. I decided to make a copy myself. ...
Friday, December 02, 2005

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I've recently completed a series of watercolour workshops for a group of complete beginners - it was something of a challenge. Routine e...
Monday, November 28, 2005

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An exhibition associated with Royal Worcester Infimary Installation showed photographs of the building showing the old wards in varying stat...
Friday, November 25, 2005

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The video installations which are the current preoccupation of museum curators are a bore. I encountered one in Worcester recently commissio...
Tuesday, September 13, 2005

Gallery Talk

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Gallery Talk It is always interesting to listen to comments people make about paintings. At the Ludlow Art Society Summer Exhibition this ye...
Sunday, September 11, 2005

Organising Exhibitio

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Organising Exhibitions: Tedious Repetition or Challenging Opportunity The Chairman’s appeal for someone to organise the Summer Exhibition at...
Thursday, April 28, 2005

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The loose handling of watercolour has a surprisingly long history. The most notable exponent was Turner whose Venetian sketchbooks are full ...
Sunday, April 10, 2005

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I am a keen admirer of Edward Wesson’s watercolours but he is a bad exemplar for amateur painters. Wesson developed a very personal loose wa...
4 comments:
Friday, April 08, 2005

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The other day I was talking to a friend about drawing in pen and ink. The medium is essentially a linear one and tonal contrast is generally...
Tuesday, April 05, 2005

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Artists, I am certain, love their own paintings – it is something that is inherent in the creative process. I daresay there are artists, dri...
Monday, April 04, 2005

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I paid a visit to the Walsall Art Gallery which houses the Garman-Ryan Collection. Sally Garman was Jacob Epstein’s lifelong mistress who he...
Sunday, February 20, 2005

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I’ve currently been working on a pastel sketch that I made some years ago on a painting course run by Claire Spencer PS at Westhope College ...
Thursday, February 03, 2005

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Whenever possible I try to avoid using fixative because it can create problems. Too heavy application renders the paper surface hard and smo...
Sunday, January 30, 2005

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The attractive qualities of pastel are its directness and the textural marks which are possible with the medium. With a portrait currently o...
Friday, January 28, 2005

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I’ve temporarily abandoned studies of birds to return to a portrait that is in danger of going off the boil. I began it last summer prompted...
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About Me

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Robert Kirk
M.Sc. (Math Ed), Open University (BA) , I learned to paint at Walsall and Stafford Schools of Art. My current painterly interest is wildlife. I work from plein air drawings and my own photographs. I try to give equal weight to the animal’s environment as well as it’s behaviour. I studied for three years at the Walsall and Stafford Schools of Art at a time when art students spent at least two days and one evening in the life class. The rigorous discipline of close observation and drawing developed in the life class was one of the benefits which has lasted. My creative output mirrors the things I care about, draws on my experiences, and generally tries to interpret what the eye likes. For me art also embraces a tradition of sound craftsmanship–I'm driven by a desire to make well crafted artefacts that will give lasting pleasure. I later took an interest in mathematics and was awarded a Masters Degree by Loughborough University
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