rkstudio
Thursday, May 10, 2012

YELLOW EYED PENGUINS

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New Zealand’s Fiordland has some wonderful locations. I took a boat excursion to Doubtful Sound. It was a day of heavy rain but that did...
Saturday, May 05, 2012

MORE WORK ON THE LESSER BLACKBACKS

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I Had time to get back to the Lesser Blackbacks today. Most of the time was spent working on the birds. The feather patterns were intri...
Tuesday, May 01, 2012

NENES COMPLETED

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I was determined to celebrate May 1 st by completing this painting of the Hawaian Geese. It was in danger of going off the boil beca...
Thursday, April 26, 2012

AN ENCOUNTER IN OSTEND

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Last year on the seafront at Ostend I encountered a small flock of 1 st . Winter Lesser Blackback Gulls. It was bitterly cold an...
Tuesday, April 24, 2012

FALCONS FOR EVERYONE

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In May last year my wife and I spent a day in Brussels while on holiday in Belgium and were surprised to Peregrines nesting in a tower o...
Monday, April 23, 2012

BACK TO THE NENES

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I’ve been working on the Nenes today.   I decided to use the ripples in the water to group the birds together . The birds were mostly...
Thursday, April 19, 2012

I’VE BECOME A KINDLE ADDICT

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The family librarian – that’s my daughter who works at Newman University College, Birmingham – has  persuaded me to become Kindle convert!...
Wednesday, April 18, 2012

HAWAIAN GEESE (NENES)

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These are some of the Nenes I photographed at Slimbridge. There were small groups tamely wandering around but I caught these three in a...
Thursday, April 12, 2012

BACK IN DRAWING MODE

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With the Easter exhibitions out of the way I’ve been back in drawing mode for the past few days.  I’m planning a series of watercolours ba...
Monday, April 02, 2012

WHAT A DIFFERENCE A FRAME CAN MAKE

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I've been framing work today ready to hand in at the LAS Spring exhibition on Friday. I'm using a frame I had in stock from an ear...
Saturday, March 31, 2012

SUMMER WINE 2

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This is the kind of subject which evokes the romantic English Summer Idyll. Country folk working in the  fields or more likely today a cou...

LAST OF THE SUMMER WINE

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Trevor Chamberlain is probably best known for his watercolours mostly done out of doors. There is another side to his artistic creativity ...
Monday, March 19, 2012

WOODCUTS - Little Terns

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Woodcuts are a form of block printing where the raised surfaces of the block receive the ink to be printed on paper. Usually only two or thr...
Friday, March 16, 2012

LITTLE TERNS: Woodcut print

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Our holiday at Aldeburgh last summer coincided with an exhibition of watercolours and prints by Robert Greenhalf SWLA in a local gallery....
Saturday, February 25, 2012

ARNSIDE: OYSTERCATCHERS FLYPAST 2

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I've made some changes to the group of Oystercatchers in the first picture.  The original arrangement of the birds divided them in...
Thursday, February 23, 2012

RECOVERY 2

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This is another old watercolour which has been restretched after having had the ‘bathtub treatment’.   It was painted on a half-sheet ...
Saturday, February 18, 2012

ARNSIDE: OYSTERCATCHERS FLYPAST

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This is a recovery of one of my ‘Possibles’ It is a watercolour I did several  years ago after a visit to Arnside on Morecambe Bay.  I tri...

NEVER DESTROY ANYTHING

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I read somewhere that Edward Seago instructed his executors to destroy 30% of the work left in his studio after he died. I’m not anticip...
Friday, February 10, 2012

STONECHAT REDISCOVERED

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This painting of a Stonechat was one of the first serious bird paintings I did over 10 years ago. Quite why I never continued exploring ...
Wednesday, February 08, 2012

A LUCKY FIND

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Tidiness was never my strong point so I've been putting my studio store cupboard in order. One aspect of tidiness I am meticulous about ...
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About Me

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Robert Kirk
M.Sc. (Math Ed), Open University (BA) , I learned to paint at Walsall and Stafford Schools of Art. My current painterly interest is wildlife. I work from plein air drawings and my own photographs. I try to give equal weight to the animal’s environment as well as it’s behaviour. I studied for three years at the Walsall and Stafford Schools of Art at a time when art students spent at least two days and one evening in the life class. The rigorous discipline of close observation and drawing developed in the life class was one of the benefits which has lasted. My creative output mirrors the things I care about, draws on my experiences, and generally tries to interpret what the eye likes. For me art also embraces a tradition of sound craftsmanship–I'm driven by a desire to make well crafted artefacts that will give lasting pleasure. I later took an interest in mathematics and was awarded a Masters Degree by Loughborough University
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