It is sad to discover an interesting artist by reading his obituary. This was how I learned of Cliff Wilkinson, a painter who shared my love for the Lake District. He developed a style of painting quickly in order to capture the quickly changing effects of light which can be so lovely in mountain landscapes. Judging by the illustration that accompanied his obituary he developed a spontaneous free style approaching abstract expressionism. In this picture ‘Lakeland Walk’ the colours are right and the marks are textural and evocative.
Wilkinson taught at the Borough Polytechnic from 1950-59 that was about the time that David Bomberg established the Borough Bottega and became influential in developing the style taken further by the likes of Frank Auerbach. Wilkinson seems to owe something to Bomberg too. After studying printmaking at the RCA he ran the School of Printmaking in the Fine Art Department at the Manchester College of Art.
Brian Morley, writing the obituary, explains Wilkinson’s attitude to printmaking - dismissed often a mere ‘craft., Wilkinson had no time for ‘..snobbish distinctions: “It’s all shapes and colours in the end,” he said.” I like that. Apparently he rarely showed his work but I hope someone will organise a major retrospective in his memory – I would love to see it.
Friday, July 25, 2003
The annual Ludlow Festival in June-July is built around Shakespeare plays performed outdoors in the castle. The event throws this family into a month of midsummer madness because my wife manages the wardrobe backstage. Actors work peculiar hours after the evening performance they end on a high and like to socialize in the nearest pub until they are turned out in the early hours. Then its off to bed until around mid-day. After a few weeks of this normal mortals find it impossible to come to terms with the real world – hence the long gap in my blog entries.
What makes our involvement worth while though are the friends we have made through meeting the cast every year. Most actors when not performing generally have mild and sensitive personalities which is contrary to what their public expects. I was struck this year by how much thought professional actors give to how they are going to perform the role they are playing. For most it involves a deep study of the text of the play and I have learned far more about Shakespeare by listening to them than I ever did at school.
This kind of commitment has a general application to all creative activities. One of the traps which painters fall into is that in the desire to loosen up and paint freely their work becomes badly constructed and superficial. Ruskin knew this ‘the hand of a great master at real work is never free:’ he wrote, ‘its swiftest dash is under perfect government.’ Good painters give as much thought to where they place their marks as the best actors do to how they recite their words.
The photographs were taken backstage at this year’s festival.
What makes our involvement worth while though are the friends we have made through meeting the cast every year. Most actors when not performing generally have mild and sensitive personalities which is contrary to what their public expects. I was struck this year by how much thought professional actors give to how they are going to perform the role they are playing. For most it involves a deep study of the text of the play and I have learned far more about Shakespeare by listening to them than I ever did at school.
This kind of commitment has a general application to all creative activities. One of the traps which painters fall into is that in the desire to loosen up and paint freely their work becomes badly constructed and superficial. Ruskin knew this ‘the hand of a great master at real work is never free:’ he wrote, ‘its swiftest dash is under perfect government.’ Good painters give as much thought to where they place their marks as the best actors do to how they recite their words.
The photographs were taken backstage at this year’s festival.
Thursday, July 24, 2003
I visited a favorite restaurant for a meal last week and found the décor changed. New softer colours and the walls displayed about 30 watercolour paintings by Roland Spencer Ford. Roland was a prolific watercolourist with a traditional but quite distinctive style. I knew him towards the end of his life – he died in 1990 – when I joined the Ludlow Art Society. Roland was a founder member and former Chairman who worked hard to establish the Society in its earlier years. He supported the Society by always showing his work in Members’ Exhibitions to the end of his life.
He moved to Ludlow and opened his own studio/gallery on College Street - now just a private house – and made a living from his paintings and prints. He left his unsold work to The Shropshire Hospice when he died and I was surprised to see so much of his work still being offered for sale an indication perhaps that even successful artists sell only a part of what they actually produce. An Exhibition of Roland’s watercolours is being held in Ludlow College, Castle Square, from 28th July to 2nd August. Proceeds from the sale of his work will go to the Shropshire Hospice.
I visited a favorite restaurant for a meal last week and found the décor changed. New softer colours and the walls displayed about 30 watercolour paintings by Roland Spencer Ford. Roland was a prolific watercolourist with a traditional but quite distinctive style. I knew him towards the end of his life – he died in 1990 – when I joined the Ludlow Art Society. Roland was a founder member and former Chairman who worked hard to establish the Society in its earlier years. He supported the Society by always showing his work in Members’ Exhibitions to the end of his life.
He moved to Ludlow and opened his own studio/gallery on College Street - now just a private house – and made a living from his paintings and prints. He left his unsold work to The Shropshire Hospice when he died and I was surprised to see so much of his work still being offered for sale an indication perhaps that even successful artists sell only a part of what they actually produce. An Exhibition of Roland’s watercolours is being held in Ludlow College, Castle Square, from 28th July to 2nd August. Proceeds from the sale of his work will go to the Shropshire Hospice.
He moved to Ludlow and opened his own studio/gallery on College Street - now just a private house – and made a living from his paintings and prints. He left his unsold work to The Shropshire Hospice when he died and I was surprised to see so much of his work still being offered for sale an indication perhaps that even successful artists sell only a part of what they actually produce. An Exhibition of Roland’s watercolours is being held in Ludlow College, Castle Square, from 28th July to 2nd August. Proceeds from the sale of his work will go to the Shropshire Hospice.
I visited a favorite restaurant for a meal last week and found the décor changed. New softer colours and the walls displayed about 30 watercolour paintings by Roland Spencer Ford. Roland was a prolific watercolourist with a traditional but quite distinctive style. I knew him towards the end of his life – he died in 1990 – when I joined the Ludlow Art Society. Roland was a founder member and former Chairman who worked hard to establish the Society in its earlier years. He supported the Society by always showing his work in Members’ Exhibitions to the end of his life.
He moved to Ludlow and opened his own studio/gallery on College Street - now just a private house – and made a living from his paintings and prints. He left his unsold work to The Shropshire Hospice when he died and I was surprised to see so much of his work still being offered for sale an indication perhaps that even successful artists sell only a part of what they actually produce. An Exhibition of Roland’s watercolours is being held in Ludlow College, Castle Square, from 28th July to 2nd August. Proceeds from the sale of his work will go to the Shropshire Hospice.
Wednesday, July 23, 2003
Art should never aspire to be cerebral it is a creative activity where expression of feeling and emotion are its major concerns. So watching a recent broadcast treating Channel 4 viewers to an explanation of Tate Modern’s themed display on Still Life made me immediately suspicious. Great art needs no explanation it just ravishes you.
We are far enough removed from Picasso and Braque’s Cubism not to be shocked by it. Their reconstruction of observed objects for artistic effect was driven by painterly concerns which now need no explanation. Their insistence that painters had total freedom to organise and present the world in any way they choose was characteristic of the revolutionary times in which they lived and explains the diverse and fragmentary nature of Modernism.
One of Modernism’s unfortunate consequences is that it seems to have led artists to become more arrogant and extreme. Duchamp’s urinal presented as a fountain and signed ‘R. Mutt’ was perhaps a joke but it led to the doctrine that anything can be art if the artist says it is. Magritte’s little painting ‘The Treason of Images’ with the inscription ‘Ceci n’est pas une pipe’ is a light hearted reminder that you are not observing the real thing but he keeps a visual reference the real world. In contrast Michael Craig Martin offering a tumbler of water displayed in a glass shelf as ‘An Oak Tree’ does not. As an idea it’s pathetically weak and lacks a logical general reference as a well devised concept should.
It is questionable whether art should be driven by logical constructs anyway. Artists unlike say mathematicians are not trained for this kind of creativity. When they try they generally display the kind of arrogance which only comes when you are ignorant of the real world. A concept is not true just because the artist says it is. ‘Believe me my unmade bed really is as good as any Vermeer.’ Tracy Emin was just kidding wasn’t she?
We are far enough removed from Picasso and Braque’s Cubism not to be shocked by it. Their reconstruction of observed objects for artistic effect was driven by painterly concerns which now need no explanation. Their insistence that painters had total freedom to organise and present the world in any way they choose was characteristic of the revolutionary times in which they lived and explains the diverse and fragmentary nature of Modernism.
One of Modernism’s unfortunate consequences is that it seems to have led artists to become more arrogant and extreme. Duchamp’s urinal presented as a fountain and signed ‘R. Mutt’ was perhaps a joke but it led to the doctrine that anything can be art if the artist says it is. Magritte’s little painting ‘The Treason of Images’ with the inscription ‘Ceci n’est pas une pipe’ is a light hearted reminder that you are not observing the real thing but he keeps a visual reference the real world. In contrast Michael Craig Martin offering a tumbler of water displayed in a glass shelf as ‘An Oak Tree’ does not. As an idea it’s pathetically weak and lacks a logical general reference as a well devised concept should.
It is questionable whether art should be driven by logical constructs anyway. Artists unlike say mathematicians are not trained for this kind of creativity. When they try they generally display the kind of arrogance which only comes when you are ignorant of the real world. A concept is not true just because the artist says it is. ‘Believe me my unmade bed really is as good as any Vermeer.’ Tracy Emin was just kidding wasn’t she?
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